The adventure of outlaw country starts in actual altered places, depending on who is spinning the yarn. Historian Joe Nick Patoski wonders if it all started in 1972, afterwards Willie Nelson’s home alfresco Nashville bent fire, bidding him to move aback to Austin and comedy dancehalls about Texas. “Outlaws & Armadillos,” the Country Music Hall of Fame’s accepted exhibition, insists the movement started with Bobby Bare in the 1970s, back the bullheaded country brilliant adjourned a new arrangement with RCA Records that accustomed him to aftermath his own albums; soon, Nelson and Waylon Jennings denticulate agnate deals and fabricated thematically adamant albums like 1974’s Phases & Stages and 1973’s Honky Tonk Heroes. Or, as Steve Earle recalls—and he’s an expert—the accomplished activity happened because of Doug Sahm. (More on that in a minute.)
While the locations and players change, what all these agent belief accept in accepted is motivation: The outlaws capital freedom. The singers capital to sing the songs they liked, accounting by bodies like Guy Clark, Ray Wylie Hubbard, and Billy Joe Shaver, amid others. They capital to almanac at absolute studios like Tompall Glaser’s “Hillbilly Central,” the Nashville hub for appealing abundant everybody alike tangentially associated with the outlaw movement. They capital to comedy the dancehalls like Armadillo World Headquarters in Austin, area accomplished hippies and buzzcut rednecks addled a ambiguous accord to adore some acceptable tunes together. In short, they capital to ascendancy their own agreeable destinies.
Even afore the appellation “outlaw” was bargain acclimated to call this movement, abounding of these artists were autograph about their lives on the alley with adult self-reflection, self-deprecating humor, and badman pathos. The outlaw affairs became their best arresting subject, for bigger or for worse. Jennings summed it all up with two acute questions: In 1975, he appear his signature hit, “Are You Sure Hank Done It This Way?”—a self-aware application of the alteration attributes of the industry. Three years later, he followed it with “Don’t You Think This Outlaw Bit’s Done Got Out of Hand?” which actual the biologic busts and break-ups that accompanied the outlaw mantle.
By the backward 1970s, the amphitheatre was already dying down. Nelson confused out to L.A., alike recording an anthology of standards alleged Stardust in 1978. Armadillo World Headquarters bankrupt two years later. But while the movement may accept sputtered, the activation abstraction abaft it remained able able-bodied into the ’80s, back the country boilerplate fabricated allowance for twangy eccentrics like k.d. lang and Lyle Lovett, as able-bodied as upstarts like Earle, Dwight Yoakam, and Lucinda Williams. In the ’90s, it was abundantly supplanted by alt-country rebels flipping the bird in the accepted administration of Nashville; however, in the aftermost 10 years, the outlaw appearance has aggressive a new bearing of artists such as Miranda Lambert, Jason Isbell, and Sturgill Simpson, who accommodate a musical—and generally political—alternative to the amphitheatre country mainstream.
In accumulation these 33 adumbrative songs, we’ve approved to accumulate our analogue of “outlaw country” as ample as possible, in adjustment to clue abounding of its phases and stages. Our list, while by no agency exhaustive, traces this music’s dust and celebrity from its contested origins to the present moment, from Texas dancehalls to alive playlists, from Johnny Cash to Miranda Lambert.
But afore we dig into all that, let’s booty a moment to analysis in with a man who has apparent every date of the outlaw movement and lived to acquaint the tale: Steve Earle. A Texas built-in who cut his teeth in the Texas outlaw amphitheatre afore affective to Nashville and acquirements the ropes from Guy Clark and Townes Van Zandt, he’s appear 16 flat albums in the aftermost 30 years—the best contempo of which, aftermost year’s So You Wannabe an Outlaw, reconsiders the heroes of his youth.
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