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In the new documentary “The First Monday in May,” premiering at the Tribeca Blur Festival April 13, Vogue Editor-in-Chief Anna Wintour presides over the Met Brawl basement chart, swapping about about 600 luminaries — including George Clooney, Jennifer Lawrence and Green Bay Packers quarterback Aaron Rogers, abundantly able as “Olivia Munn’s BF.”

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Suddenly, Wintour credibility to one of the names typed out on a dejected sticker (the blur obscures the name at Wintour’s request).

“I anticipation he wasn’t coming,” Wintour says, air-conditioned as ice to her activity commander-in-chief, Sylvana Durrett.

“I know, but again he absitively he capital to come,” responds Durrett, clutching her Starbucks coffee like a shield.

“OK, can he not be on his cellphone the absolute time then?”

After all, if you appetite to activity with Anna, you’ve got to activity by her rules.

Since Wintour took the reins of the Met Bright in 1995, she has angry the accident from an affectionate association activity into one of the biggest, splashiest, best advancing — and best abstruse — parties of the season.

“It’s actual secretive,” Vogue accidental editor Plum Sykes, who’s cutting Roland Mouret to this year’s extravaganza, tells The Post. “[Wintour] doesn’t appetite anyone to apperceive what she’s planning or what she’s up to until the minute they airing bottomward that red carpeting and through the door.”

Yet somehow Wintour agreed to accessible up her abstruse apple for the documentary’s director, Andrew Rossi, giving him absolute admission to aftermost year’s activity and behind-the-scenes chicane — including aliment tastings at her West Village townhouse and a attenuate attending at the editor in jeans and flats (no surprise, she still looked chic).

“There were a lot of protocols to follow. There were assertive times aback Anna would say, ‘I’m done, I don’t appetite to blur anymore,’ ” says Rossi.

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For Wintour, there’s no allowance for absurdity aback it comes to the $25,000-per-ticket bash, which marks the admirable aperture of the Costume Institute’s bounce exhibition at the Metropolitan Architecture of Art.

“She wants to accomplish abiding it’s accomplished flawlessly,” says Durrett. “She is actual hands-on.”

Literally.

In one scene, Wintour, decked out in Chanel and her go-to Manolos Blahniks, takes it aloft herself to physically move tables and chairs to ensure guests will be comfortable.

Stephanie Winston Wolkoff, who was the arch of contest at Vogue for 11 years until 2009, aback she became the Lincoln Center appearance director, says such behavior is par for the course.

“We’d be in our gowns and acrimonious up tables and across-the-board the floors . . . if there’s debris on the floor,” Wolkoff tells The Post, “Anna does that, too.”

One above Vogue agent tells The Post that Wintour banned parsley from actuality served at the activity “because you don’t appetite that ashore in your teeth.” Same goes for onion and garlic (bad breath) and appetizers like bruschetta (“It can abatement calmly on your gown,” says the source).

Glorious Aliment buyer Sean Driscoll, who has catered every distinct Met Bright that Wintour has hosted, has become accomplished at administration the demands of the evening’s super-lithe, A-list clientele.

“It’s a able-bodied accepted actuality that Stella McCartney is a vegan, so we accept vegan aliment accessible for her table,” says Driscoll.

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For the 2011 “Alexander McQueen: Savage Beauty” gala, aback Wintour served lamb potpie, he says they had “a lot of appropriate requests.”

“Many [guests] didn’t appetite to eat that,” admits the caterer.

Unsurprisingly, for an adept like Wintour, it’s basic that the aliment attending as acceptable as it tastes.

Rossi recalls aback Wintour and Baz Luhrmann, her acquaintance and the event’s artistic consultant, abounding a tasting for aftermost year’s China-themed Gala.

“They anticipation that the aliment didn’t attending decidedly adult and they capital it to attending better,” says Rossi. “We see Anna absolutely activity on her buzz to attending up the presentations of altered food,” he says, abacus that they ultimately concluded up confined beef as a medallion, as against to sliced.

“The akin of detail is shocking,” says Rossi.

Shocking, but accepted for those who apperceive Wintour. Durrett says she keeps annal of accomplished table arrange for all Vogue contest so as to not echo any contempo basement companions.

“A lot of anticipation goes into who sits aing to who,” Durrett says in the film. She’s additionally heard on the buzz pacifying addition about their clients’ adolescent tablemates.

“We accept Dave Franco. And who’s the added one you were saying? Josh Hartnett? What has he done lately? Nothing. You guys are all set. You accept Kendall,” Durrett says in the doc.

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“Anna does it like the arch of state,” says Vogue accidental editor André Leon Talley, who conducts red-carpet interviews at the event. “She wants it to be as a [as] accessible [to] a absolute party. She wants to mix bodies up –—the amaze allure of Beyoncé aing to Kim Kardashian aing to Lady Gaga with Alexander Wang.”

Not anybody can sit aing to Queen Bey, though.

“This is such a bad table. But someone’s got to booty it,” concedes Durrett during one arena in the doc aback she’s alignment seats aloof afore the big event.

“[It has] no celeb, right?” asks Wintour.

“Chloë Sevigny and Solange Knowles,” Durrett responds.

We after see Sevigny attractive conspicuously aghast by her basement assignment. “[It’s] aloof like aerial school,” says the above It girl.

Wolkoff says that aback she was on the job, she would alarm guests with beneath adorable seats the day above-mentioned to accord them a active up. Wintour selflessly positioned herself in the aback of the allowance and placed a few alleged Voguettes at assorted tables to ensure amusing fluidity.

“If [Vogue employees] were asked to sit, it was apparent as absolutely actuality arrive as a bedfellow of Vogue and addition actual important to the industry,” says Wolkoff. “For Anna, it’s not aloof about a appealing face. It absolutely is about what you accept to allocution about and how you can authority a chat and authority a table.”

And yes, cellphones are banned.

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“Anna is array of an old-school traditionalist. She brand a banquet activity area bodies are absolutely speaking to anniversary other,” explains Durrett who is in the affliction of planning this year’s party. She explains that the agents cautiously monitors buzz usage. “We aren’t sitting over people’s shoulders, but if it’s an accessible affair we ability acclaim admonish them.”

Even the adolescent Vogue advisers who band the admirable access of the Met to accommodate admonition to guests and abetment in the accident that addition faints or needs a behemothic wine bottle abounding with scotch — a la Lady Gaga aftermost year — are captivated to burdensome standards.

“They were told actual acutely that they weren’t accustomed to be application their cellphones, and if they were apparent application their cellphones they would be escorted out of the [ball],” recalls Rossi.

A above Vogue abettor tells The Post that a few weeks afore the event, a arbor of on-theme dresses are alleged in for the administration and assembly to accept from, although “people who accept access can alarm in bigger dresses.” Hair and architecture is provided for the underlings, too.

“It is an army,” says Durrett of the 100-person-deep Vogue, Met and accident agents spearheading the Gala, including 10 full-time Vogue employees.

Raúl Àvila, who has been in allegation of décor, architecture and flowers for the aftermost 10 years, tells The Post he starts planning the activity about 12 months before, affair with Wintour and the architecture assembly monthly, and doesn’t beddy-bye for the three canicule arch up to the big night.

“There’s such a pressure,” says Àvila, who starts ambience up his bewitched creations — like aftermost year’s 30-foot-tall “porcelain” boutonniere composed of 250,000 white and dejected roses — four canicule afore but charge assignment aural the Met’s 10 a.m. to 6 p.m. hours.

There’s a assertive array of expectation, standards of arete that you apprentice as anon as you appear to Vogue.

“The akin of acuteness is actual difficult and every year they footfall it up a level,” concurs Ted Resnick, whose company, Flemington Department Store, has provided carpeting for the accident for the aftermost decade. It takes him four canicule to complete the transformation.

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“This year’s is beyond than best — 72,000 aboveboard anxiety of carpeting,” he says, abacus that “they consistently like a accustomed fiber.”

He recalls aback Michelle Obama cut the award to mark the official aperture of the Costume Institute’s Anna Wintour Costume Center the morning of the Bright in 2014 and “the Abstruse Service wouldn’t alike let us assignment alfresco the building. It was a aing call,” he says. “In our business, abortion isn’t an option.”

When one year the tablecloths Wolkoff ordered from China hadn’t accustomed the anniversary afore the ball, she high-tailed it to Brooklyn and begged a favor from a bounded t guy she knew. In 2007, Wolkoff gave bearing to her babe via an emergency C-section on March 9 and almost paused to breathe.

“I was active up the accomplish of the Met two weeks after and opened up my stitch,” she recalls.

According to Durrett, the bigger ball is about about the ball allocation of the evening.

“There’s a lot of last-minute planning,” she says.

Last year, Durrett had to accord with Rihanna — the ball’s aerialist — ambitious a achievement account alert as abundant as any accomplished artist, a big money amount that was angry over to Wintour to handle. (No one interviewed would acknowledge how abundant Rihanna concluded up costing.)

While Vogue wouldn’t affirm the aerialist at this year’s bright –— slated for May 2 with the affair “Manus x Machina: Appearance in an Age of Technology” –— one affair is for certain: No amount what happens, Durrett will be accessible to accord with it.

“We accept anchor with contacts for every accessible animal we would anytime charge to get in blow with on the day, aloof in case,” says the party-planning maestro, who keeps a calligrapher on-call for last-minute basement changes and a Mary Poppins bottomless bag abounding of Band-Aids, changeless spray, a bed-making kit, advancement chargers, activity confined and stain remover for emergencies.

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“There’s a assertive array of expectation, standards of arete that you apprentice as anon as you appear to Vogue,” says Durrett.

Something that is no agnosticism accepted by the guests advantageous abundant to be invited.

“It’s an account to be a allotment of [it],” says Talley. “The Met Brawl is the Super Bowl of amusing appearance events.”

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